000 | 03145nam a22002895i 4500 | ||
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001 | C00083490c | ||
003 | DO-SdBDB | ||
005 | 20230317144338.0 | ||
008 | 180919s20182018xxu fr 001 1 eng d | ||
020 | _a9781626328396 | ||
040 |
_aDO-SdBDB _bspa _cDO-SdBDB |
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041 | _aeng | ||
043 | _aus-fl | ||
050 | 4 |
_aPQ 7409 .2 .A42 _b.W44 2018 |
|
100 | 1 |
_aAlcántara Almánzar, José, _d1946- |
|
245 | 1 | 0 |
_aWhere the dream ends / _cJosé Alcántara Almánzar ; edited by Lizabeth Parvisini-Gebert, Cecilia Graña-Rosa ; translations by Lizabeth Paravisini-Gebert. |
260 |
_aPompano Beach, FL : _bCaribbean Studies, Press, _c2018. |
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300 |
_avi, 299 páginas ; _c21 cm. |
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500 | _aCover ilustration from the painting: Vientos Huracanados (Hurricane winds) by Mariantonia Ordoñez. | ||
505 | 1 |
_aIntroduction / _rLizabeth Paravisini-Gebert, 1 -- _tStories. From Santo Domingo Times, 2004-2007, 17 -- _tItalian Concerto, 19 -- _tPayback, 23 -- _tThe bad child's farewell, 25 -- _tBad Omen, 29 -- _tFrom La carne estremecida [Trembling Flesh], 1989, 33 -- _tLefty, 35 -- _tEva's obsession, 46 Temprations, 49 -- _tTemptations, 61 -- _tRaw Skin, 73 -- _tLike a night with its legs open, 83 -- _tFrom las máscaras de la seducción [The masks of seduction], 1983, 95 -- _tThe queen and her secret, 97 -- _tLulú or the metamorphosis, 107 -- _tTraveler, 119 -- _tNoises, 131 -- _tHe and she at the end of an afternoon, 141 -- _tFrom testimonios y profanaciones [Testimonies and desecrations], 1978, 149 -- _tTrivial chronicle of an intimate party, 151 -- _tWith Papá at Madame Sophie's, 181 -- _tFrom Callejón sin salida [Dead end Alley], 1975, 197 -- _tThe return, 199 -- _tNight of a Grey Moon, 219 -- _tEnigma, 231 -- _tMy startling Irene, 239 -- _tFrom Viaje al otro mundo [Voyage to another world], 1973, 249 -- _tThe test, 251 -- _tSeabound, 261 -- _tVoyage to another world, 267 -- _tThe girl I met in Guadeloupe, 281. |
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520 | 3 | _aThe short stories of José Alcántara Almánzar are an ideal point of entry into the thematic and stylistic wealth contemporary Dominican literature offers. Moving, urgent, piercing is how critic Orlando Alcántara Fernández characterizes Alcántara Almánzars mastery of his craft, his mark of identity as a writer from beginning to end.. . . . Formally experimental and thematically innovative, the short stories of José Alcántara Almánzar showcase his willingness to deploy a range of techniques drawn from both his deep understanding of the psychology and social constraints of his characters and his command of the traditions of his chosen genre. From Edgar Allan Poe to Jorge Luis Borges and Julio Cortázar-to whom Alcántara Almánzar acknowledges a profound debt-his fiction is steeped in the history of the short story while pushing its technical and thematic boundaries into new directions. -From the Introduction by Lizabeth Paravisini-Gebert. | |
650 | 4 | _aNovela dominicana. | |
650 | 4 | _aLiteratura dominicana. | |
700 | 1 |
_aParvisini-Gebert, Lizabeth., _eedited, _etranslations. |
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700 | 1 |
_aGraña-Rosa, Cecilia., _eedited. |
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942 | _cCG | ||
999 |
_c122481 _d122481 |